Ricardo Antão
With a network of Artist Centres and Ateliers around the world, Yamaha works with leading players to support their performances and develop instrument designs and new ideas for the benefit of all musicians. Yamaha Artists share with us a passion for inspiring the next generation of players, and a belief that everybody should be encouraged to nurture their talent, connect with others and tell their stories through music.
Get to know euphonium player and Yamaha Artist Ricardo Antão
How does your instrument help you in your everyday life as an artist?
My instrument is how I express myself. As something I use to take part in projects and share the stage with colleagues, it needs to allow me to express myself freely. And honestly, I know that it will always meet my expectations, which is an immense help.
How would you describe your instrument?
Reliable, versatile and elegant.
When, how and why did you first come into contact with Yamaha?
My first contact with Yamaha was very recent. When I started playing the euphonium with the Banda Visconde de Salreu, the band acquired two YEP-621 euphoniums for two older musicians because this model was durable and great quality. Some time later, the instrument passed onto me, and from then on I was hooked for life. A few years later, I bought my own first instrument (a YEP-842) and now I play an 842 with a trigger system. As they say: "If it ain't broke, don't fix it." If I'm always extremely happy with the results I'm getting, why change it?
Which of your teachers has influenced you the most, and is there any advice or knowledge from them that you still pass on to others?
I was lucky to be taught by many different teachers and people, and I owe a lot to each of them. But I have to single out three people who, for various reasons, made the biggest impression on my life: my brother Gabriel, who has always inspired me with his commitment, optimism and passion for music; Sérgio Carolino, who, in addition to being a teacher, has always been a friend and a companion in my adventures, who taught me a great deal and who I have been proud to share a stage with; and finally, Thomas Rüedi, who is an inspiration and who I have had the opportunity to work and study with. I always try to pass on the ideas and values they shared with me, including a passion for our art and the professionalism with which we should face everything we do.
What is the best advice you could give a young musician?
Study, learn and have fun on this wonderful journey. And don't feel disappointed if you don't get the result you want right away. Results are achieved with a lot of hard work and perseverance.
