Larry Mullen Jr.
Larry Mullen is an instinctive drummer who, like the rest of U2, plays what comes naturally, directly from the heart. Larry has never liked to clutter U2’s songs with busy drumming – he’s always understood the value of drama-laden space. When U2 first made it big in the 1980s Larry already had a mature style which belied his youth.
Growing up in Ireland’s capital city of Dublin, Larry started out playing piano but soon gave it up for the drums at the age of nine. From the start he wanted to play his own way and was not keen on learning paradiddles and fancy technique. Larry instigated the formation of U2 while at the Mount Temple Comprehensive School in Dublin by posting a ‘musicians wanted’ notice. He was still only 15 and he saved up cash from mowing lawns to buy his first drum kit.
The band soon graduated from playing Rolling Stones covers to writing their own songs, inspired by the brash ethos of late-1970s punk. By 1979 the band was forging their own identity and gaining attention.
Like most young drummers Larry started out experimenting with a more flamboyant style and gradually pared things down to the lean force he displays today. There’s a deceptive art in simplicity - the broad, bold statement that carries to the back of the largest arena - and Larry and U2 are the masters. They understand this better than probably any other band. There is always a dramatic dimension to Larry’s playing, an element of traditional Irish music, melodic Celtic roots and the marching bands of his youth.
Larry and U2’s incredible success is also due to their willingness to experiment and take big risks with drum sounds and overall production. They constantly worked to stretch the boundaries of stadium rock, creating their own unmistakable sound during the 1980s – the special marriage of rock and roll with technology. Working with producers and engineers including Brian Eno, Daniel Lanois and Flood on albums stretching from The Unforgettable Fire through The Joshua Tree, Achtung Baby, Zooropa and on to 2000’s All That You Can’t Leave Behind (which immediately picked up four Grammy Awards), Larry’s willingness to embrace technology, to work alongside loops and samples, has kept the band on the cutting-edge of rock. With Larry starring in the video for the latest single Electrical Storm there’s no sign of the band slowing down yet.
Absolute Hybrid Maple
The answer to the question is drums that give you the sound you need, whenever you need it.Tonal requirements vary among drummers, differ with dynamics, and change, from band to band, song to song, moment to moment. With the Absolute Hybrid Series drums, Yamaha has succeeded in addressing this, with a drum set that possesses an extraordinary degree of expressive power, allowing drummers to pursue a level of expression that perhaps they've not experience before in their other drums. These drums offer a wide dynamic range that allows them to respond accurately to each and every stroke, and follow changes in dynamics, nuance, and touch, letting you play what you want to play.Andere Farben
At YAMAHA, prototype drums are the starting point of each drum's evolution. These prototypes are created in the Drum Laboratory where YAMAHA continually pursues the essence of musical perfection. Under a completely new concept, the PHX (pronounced "phoenix") Series is the pinnacle of excellence in this prototyping process. Handcrafted by our expert technicians, it's based on over 40 years of history, tradition and experience and technology. The newly developed PHX Series reveals YAMAHA's all-out pursuit of the ultimate in drum craftmanship and sound.Andere Farben
Schwerer, doppelstrebiger Snareständer mit Kugelklemmen-Gelenk, neu entwickelten Spikes und 3-armigem Korb.
Other Drum Artists
Martina Barakoska is a drummer and musician based out of North Macedonia. In her considerably short career she has no shortage of successes so far.
Some people navigate the world quietly, treading softly wherever they go, leaving an impression that lasts nonetheless. Richard Spaven is such a person, his humble attitude and down-to-earth, warm personality actually draws people to him and when you hear what he has to say musically on the drum set, you know you should be paying close attention. In this current world of cut-throat business, hire and fire mentality and quick-fix it is refreshing to listen to a player that can deliver without adding any further brouhaha to the mix, a player that has his own unique take on how to make things swing, groove and excite, not only the artist that he is working for, but the audience too. With all these qualities, you know you are in the company of a great musician.